Save_Name |
Scale Name |
Formula |
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Pitch
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of Mode |
Triad |
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Seventh |
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Ninth |
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Eleventh |
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Thirteenth |
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Mode
II 7th |
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Mode
III 7th |
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Mode
IV 7th |
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Mode
V 7th |
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Mode
VI 7th |
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Mode
VII 7th |
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Raw
Spelling Root C |
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Enharmonic Spelling C |
7_5_12_3_Stygian |
Stygian |
R,x2,#3,x4,#5,#6,7 |
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{0,4,5,7,8,10,11} |
3 |
Navanitam |
#5sus4 |
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Maj7#5sus4 |
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Maj7#5add11 |
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Maj7add11addb13 |
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Maj7add11addb13add#13 |
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iimb5addb13 |
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iiimMaj7b5 |
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ivm7add11(no 5) |
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vmMaj7#5 |
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VI7sus2 |
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VIIMaj7#5sus4 |
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C,Dx,E#,Fx,G#,A#,B |
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C,E,E#,G,G#,A#,B |
CONCAT(A2,"_G") |
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Native Chords |
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Seventh Chords of Related Modes |
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Open Form |
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Alternate open form |
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Second position extension |
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Stygian Scale Forms |
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Play the Stygian scale on any of these chords and
their variations. |
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2 |
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7 |
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2 |
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7 |
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R,x2,#3,x4,#5,#6,7 |
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Roman numeral analysis above assumes Stygian is the
primary mode. |
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#3 |
#6 |
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#5 |
R |
#3 |
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#3 |
Enharmonic Spelling C |
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#3 |
#6 |
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#5 |
R |
#3 |
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This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
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The Roman numerals from Navanitam, the typical
primary mode, are more likely. |
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7 |
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C,E,E#,G,G#,A#,B |
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7 |
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