Save_Name |
Scale Name |
Formula |
|
|
|
|
|
Pitch
Class |
|
# |
of Mode |
Triad |
|
|
|
|
Seventh |
|
|
Ninth |
|
|
|
|
Eleventh |
|
|
|
|
|
|
|
Thirteenth |
|
|
|
|
|
|
|
|
|
|
Mode
II 7th |
|
|
|
|
Mode
III 7th |
|
|
|
Mode
IV 7th |
|
|
|
Mode
V 7th |
|
|
|
|
Mode
VI 7th |
|
|
|
Mode
VII 7th |
|
|
|
|
Raw
Spelling Root C |
|
|
|
7_5_15_2_Dycrian |
Dycrian |
R,b2,#3,#4,x5,#6,7 |
|
|
|
{0,1,5,6,9,10,11} |
2 |
Raghupriya |
sus4sus6 |
|
|
|
Maj7sus4sus6 |
|
Maj7b9sus4sus6 |
|
|
Maj7#11b9sus4sus6 |
|
|
|
|
Maj7#13#11b9sus4sus6 |
|
|
|
|
|
|
|
|
IIMaj7sus4sus6 |
|
|
|
IIIb5addb13 |
|
|
|
|
IVMaj7b5 |
|
|
|
|
VMaj7sus2 |
|
|
|
|
VIsus2sus6addb11 |
|
|
VIIMaj7sus2 |
|
|
|
|
C,Db,E#,F#,Gx,A#,B |
|
|
|
CONCAT(A2,"_G") |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Native Chords |
|
|
|
|
Seventh Chords of Related Modes |
|
Open Form |
|
Alternate open form |
|
|
|
|
|
|
|
Dycrian Scale Forms |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Play the Dycrian scale on any of these chords and
their variations. |
|
|
|
|
5 |
7 |
|
|
|
|
R,b2,#3,#4,x5,#6,7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Roman numeral analysis above assumes Dycrian is the
primary mode. |
|
#3 |
#6 |
|
|
R |
#3 |
|
#3 |
Enharmonic Spelling C |
|
|
|
This scale has unusual accidentals, so it can not
be analyzed using the software developed for other scales. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Roman numerals from Raghupriya, the typical
primary mode, are more likely. |
|
#4 |
7 |
|
|
b2 |
#4 |
|
#4 |
C,Db,E#,F#,A,A#,B |
|
|
|
|
You can figure the patterns by using the scales in
the same mode that can be analyzed (white rows). |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
R |
#3 |
#6 |
|
5 |
|
5 |
R |
#3 |
#6 |
|
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|